Country house with tree in foreground with story details. Illustration on sepia parchment.
Watercolour illustration of a swan flying right.

White

As the coldest spring in fifty years shivers to a close in southern England, an Australian traveller prepares to return home. Around her, the old places and nooks of Sussex prepare for the warmth to come. They whisper a message. She is tempted, but not convinced. Then, an encounter with white swans in a dry harbour. Another, with a man wearing a swan-white thobe in Dubai. White is a meditation on possibilities, and the impossibility of being in two places at once.

Author's note: 'Now, as the sky hung like lead and the wind bit like a snake, people stayed in. They took tea and tipples by fires – it was no fit weather for walking. But she was Australian. In two days she would fly home to her city on the east coast with its diamond light. She would perspire into cotton and pack away her wool – so she took the difference now as a call to come out among the brown and grey, the massed daffodils, before she returned to the full and bright and insistent colours of her place on the Pacific. '
- White.

Ah, England. When I left you, I left an unexplored part of myself behind.

Watercolour illustration of a flying swan.